Jun 6, 2019 | Daily Film Scoring Bits, Technical
Recording in Two Minute Chunks Recording action passages and music that demands a lot from your players is best to be split into approx. two minute chunks and later edit them together again. With this procedure, the musicians can focus on certain passages and pull...
May 16, 2019 | Daily Film Scoring Bits, Technical
Film Scores and Dolby Atmos Recent years have shown the rise of so called “immersive audio formats” such as Dolby Atmos, Auro3D and DTS:X. While all formats have different technical specifications and concepts, all have the advancement of providing...
May 10, 2019 | Daily Film Scoring Bits, Orchestration
Practice Working With Limitations As a learning orchestrator and composer you should practice a lot to work with limitations, especially if you want to eventually work with real musicians. While it is great to know how to write for a huge orchestra with all...
May 9, 2019 | Daily Film Scoring Bits, Technical
Varispeed For Tuning By now, most film scoring studios have the technical possibility to use Varispeed to compensate for the standard a= 442 or 443 Hz tuning of a normal orchestra by recording at a slightly higher sample frequency and tempo than what the actual...
Apr 11, 2019 | Daily Film Scoring Bits, Technical
Revisiting Cues in the Same Recording Session When recording with real musicians, try to get a perfect take of a cue while you’re at it. It usually doesn’t work that well to revisit a cue “if we have time at the end” in order to get a better take. It will take almost...
