Jun 6, 2019 | Daily Film Scoring Bits, Technical
Recording in Two Minute Chunks Recording action passages and music that demands a lot from your players is best to be split into approx. two minute chunks and later edit them together again. With this procedure, the musicians can focus on certain passages and pull...
May 16, 2019 | Daily Film Scoring Bits, Technical
Film Scores and Dolby Atmos Recent years have shown the rise of so called “immersive audio formats” such as Dolby Atmos, Auro3D and DTS:X. While all formats have different technical specifications and concepts, all have the advancement of providing...
Apr 11, 2019 | Daily Film Scoring Bits, Technical
Revisiting Cues in the Same Recording Session When recording with real musicians, try to get a perfect take of a cue while you’re at it. It usually doesn’t work that well to revisit a cue “if we have time at the end” in order to get a better take. It will take almost...
Apr 4, 2019 | Daily Film Scoring Bits, Technical
Influence of Recording Stage Size If you have a choice between several recording venues, you should make a wise decision, which kind of sound your music needs. The advantage of a small space is that you get a lot of precision in the sound. This is very useful when you...
Feb 21, 2019 | Daily Film Scoring Bits, Technical
Remote Recording Sessions Many orchestral recording facilities/studios/services offer the possibility to do a remote session either via Skype, Source Connect or another form of audio stream where you as the composer can hear what’s coming right through the monitors in...
