Jul 19, 2019 | Daily Film Scoring Bits, Orchestration
Chord Voicings Without Fifth When constructing chords, try the difference of leaving out the perfect fifth of the chord and having it in. Due to the fact that the fifth will be quite a strong overtone of the root (=usually the bass note) anyway, it will be present in...
Jul 16, 2019 | Daily Film Scoring Bits, Film Scoring
Narrative Links Beyond Themes Themes are not the only thing that can be used to identify characters/locations/situations musically. In fact, using too many themes especially on a genre that usually doesn’t have many themes might just become feeling strangely operatic...
Jun 12, 2019 | Composition, Daily Film Scoring Bits
Chord Arpeggios Arpeggios or respective broken chords can be a great tool for accompaniment patterns or sources for melodic gestures. On accompanying figures they help to establish a sense of harmony but also keep a steady rhythm going. On melodies they help to...
Jun 5, 2019 | Composition, Daily Film Scoring Bits
Alternative Bass Notes of a Chord Altering the bass note of a chord to a note different than the root note can create quite new harmonic impressions than the original chord. If you change the bass note to a different chord tone like the third or fifth of the chord,...
May 29, 2019 | Composition, Daily Film Scoring Bits
Handling Dissonances Dissonances need to be written very carefully. While many inexperienced composers write in a way that they just add “random” notes to a sound in order to make it dissonant, it will most likely result indeed in a very dissonant sound, however...
