Nov 29, 2019 | Daily Film Scoring Bits, Orchestration
Close vs. Open Position Chords in Brass When writing chords in Brass it is usually better to stay in close position voicings rather than in open position. As basically all brass instruments have a natural crescendo and raise in intensity towards their top end, writing...
Nov 22, 2019 | Daily Film Scoring Bits, Orchestration
Clarinet Dynamics Due to their construction with a single reed, Clarinets (and also Saxophones) have the special ability to create incredibly low dynamics and can crescendo from or decrescendo to almost complete silence. This doesn’t only apply to the Clarinet...
Nov 15, 2019 | Daily Film Scoring Bits, Orchestration
Bow Length Duration on Strings The time of how long one bow length lasts on string instruments is massively depending on the dynamic degree it is being played. For instance on Violins playing a super soft pianissimo, it is possible to extend the time until you need to...
Nov 8, 2019 | Daily Film Scoring Bits, Orchestration
Double and Triple Tongue on Brass Double or triple tonguing passages on brass instruments can sound very exciting and fanfaric and can create a great effect of forward motion. They are created by interrupting the air flow into the instrument with the tongue with...
Nov 1, 2019 | Daily Film Scoring Bits, Orchestration
Arpeggios on Brass Instruments While fast chord arpeggios are great and no problem to play on strings and woodwinds, they can become very difficult on brass instruments. It is quite tricky for brass players to cover a big range safely in a short time and especially if...
Oct 25, 2019 | Daily Film Scoring Bits, Orchestration
True Legato and Portamento Sample Overuse One of the most overused things in midi mockups are true legato and even worse: portamento patches. With many people using these patches overly extensively the result is very often a piece that sounds like chewing gum. Be...
