Nov 29, 2019 | Daily Film Scoring Bits, Orchestration
Close vs. Open Position Chords in Brass When writing chords in Brass it is usually better to stay in close position voicings rather than in open position. As basically all brass instruments have a natural crescendo and raise in intensity towards their top end, writing...
Nov 28, 2019 | Daily Film Scoring Bits, Technical
Mix Automations in Orchestral Music Mix Automations are pretty common in music productions. It basically means that you program parameters of the mix (like fader levels, pan, reverbs etc.) to change automatically during the course of the track, e.g. raising the levels...
Nov 27, 2019 | Composition, Daily Film Scoring Bits
Drop 2 and Drop 2+4 A very easy way to gain more sonority in your chord voicings or to make more space for the top line is to “drop 2”, “drop 2+4” or traditionally called “open voicing”. These are pretty simple procedures to spread out close position voicings to fill...
Nov 26, 2019 | Daily Film Scoring Bits, Film Scoring
Scoring Big Hit Points First When you need to score a scene that has one or even several big moments you need to hit and highlight, it is a quite effective way to lay out your sketch the way that you score or at least sketch these important moments first one by one...
Nov 25, 2019 | Daily Film Scoring Bits, General
Staying Up To Date Watch as many movies as you can. If you want to seriously work in the film music field, you need to know what is going on in the “business”, you need to get an understanding of how music is used in movies and also what current developments take...