Oct 10, 2019 | Daily Film Scoring Bits, Technical
Tired Ears If possible never deliver a final mix for important clients right after you finished working on it but rather sleep over it. Very often, when you work for a long time on a piece you either start to not hear problems or start to hear problems that are not...
Oct 9, 2019 | Composition, Daily Film Scoring Bits
Two Bar Structures Lots of music nowadays is very heavily orientated on structures that are multiples of two bars. Often themes are presented in an 8 bar form which can be subdivided into two groups of 4 bars which can again be subdivided into two 2 bar groups. While...
Oct 8, 2019 | Daily Film Scoring Bits, Film Scoring
Finding the Right Tempo for a Cue Getting the tempo of a scene right is one of the most essential parts of film scoring. Even the best music can be a disaster when it drags a scene or pushes it too hard. Often there are only few objective indicators to find a tempo...
Oct 7, 2019 | Daily Film Scoring Bits, General
What is an A Orchestra? When you’re on a tight music budget and still want to record an orchestra, it is a good plan to set up orchestral sessions with a so-called A-, B- and sometimes even C-orchestra, meaning that you specifically write certain cues for a smaller...
Oct 4, 2019 | Daily Film Scoring Bits, Orchestration
Bow Tremolo Stamina While bow tremolos on the strings create a great shimmering or a very climactic effect, make sure to not write too long passages in tremolo. Especially on loud dynamics, this technique becomes quite exhausting and eventually the muscles of your...
